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Category: Entertainment

  • A regional city steps into the cultural spotlight with the arrival of Udeesha 2026 in Moradabad

    The five day literature festival brings together writers, poets, performers, and thinkers from across India

    Moradabad is set to take on a larger cultural role in western Uttar Pradesh with the hosting of Udeesha 2026, a five day literature and cultural festival scheduled from January 22 to January 26, 2026. The festival is positioned as an open platform for literature, art, music, and public dialogue, bringing nationally recognised voices together with regional talent.
    Udeesha 2026 aims to place Moradabad on the cultural map by creating a shared space for writers, poets, journalists, performers, and cultural thinkers. The programme has been designed to encourage participation from students, readers, artists, and citizens, while also acknowledging the city’s own literary and cultural heritage.

    The festival will open on January 22 with special performances by actor Ashutosh Rana and singer Sukhwinder Singh. Over the following days, the festival will feature sessions and performances by poet Wasim Barelvi, author Chetan Bhagat, journalist Saurabh Dwivedi, food historian Pushpesh Pant, poet Gauhar Raza, writer and screenwriter Akshat Gupta, television personality Ila Arun, poet academic Kumar Vishwas, lyricist Alok Srivastava, and singer actor Manoj Tiwari, among others.
    Events will be hosted across multiple venues in the city, including Dushyant Manch, Ramganga Lawns, and Jaun Elia Zone. The schedule includes literary discussions, poetry readings, a Grand Mushaira, Dastangoi sessions, theatre, folk and classical music performances, Bhojpuri cultural programmes, workshops, and conversations on cinema, media, technology, spirituality, and Indian knowledge traditions.

    Most sessions at Udeesha 2026 will be free and open to the public, reflecting the festival’s focus on accessibility and community participation. By encouraging open dialogue and cultural exchange, the festival seeks to broaden public engagement with literature and the arts beyond metropolitan centres.

    With its multi day format and inclusive programming, Udeesha 2026 positions Moradabad as an emerging cultural destination, offering a platform that connects national discourse with regional voices in an open civic setting.
    At Prittle PrattleNews, featuring you virtuously, we celebrate the commitment and innovation. Led by Editor-in-Chief Smruti Bhalerao, our platform is dedicated to sharing impactful stories that inspire change and create awareness. Follow us on LinkedIn, Instagram, and YouTube for more stories that matter.

  • Music, motorcycling, and youth culture converge as Riders Music Festival 2026 reveals its artist roster

    Red FM COO Nisha Narayanan outlines the two day lineup featuring Papon, Nucleya, Seedhe Maut, and experiential additions

    Riders Music Festival 2026 is set to return for its fourth edition, bringing together music, motorcycling, and youth culture for a two day community driven event in North India. Organised by 93.5 Red FM, the festival will take place on 21 and 22 February 2026 at The Great India Place in Noida.
    Positioned as a platform that blends live performances with riding culture, Riders Music Festival has steadily grown into a distinctive cultural property. The 2026 edition continues this direction with a curated day wise lineup spanning electronic music, hip hop, indie, Bollywood, and stand up comedy, alongside immersive experiences designed for riders and festival audiences.

    On the first day, the lineup will feature performances by Level 6 and Bharat Chauhan, followed by electronic music artist Nucleya. The evening will conclude with a headline hip hop set by Seedhe Maut, known for their raw lyricism and high energy stage presence.
    Day two will include performances by stand up comedian Harsh Gujral and indie artist Chaar Diwaari, leading up to a headline performance by singer songwriter Papon. The set marks one of Papon’s early large scale, multi genre festival appearances in Noida, adding a distinct melodic dimension to the festival’s closing night.

    Beyond music, Riders Music Festival 2026 will expand its rider focused experiences. The festival will feature FMX displays, dirt bike rides, and on track riding sessions in collaboration with Apex Racing Academy. In the lead up to the main event, select participants will also have access to track based learning experiences focused on advanced riding skills.
    Speaking on the festival’s direction, Nisha Narayanan, Chief Operating Officer and Director at Red FM, said that Riders Music Festival continues to evolve as a space where mobility, creativity, and community intersect. She noted that the addition of riding experiences, alongside a diverse artist lineup, reflects the festival’s intent to remain inclusive and rooted in the riding lifestyle while welcoming a wider youth audience.

    In addition to performances and riding zones, the festival will feature custom and performance motorcycles, interactive brand installations, curated food zones, and art led experiences. Safety, inclusivity, and community participation remain central to the festival’s design, welcoming both riders and music enthusiasts to take part.
    At Prittle PrattleNews, featuring you virtuously, we celebrate the commitment and innovation. Led by Editor-in-Chief Smruti Bhalerao, our platform is dedicated to sharing impactful stories that inspire change and create awareness. Follow us on LinkedIn, Instagram, and YouTube for more stories that matter.

  • Jairangam Fringes Delhi created space for stories often left unheard, say organisers

    The Delhi showcase closed with Naachni and Kashida Phool, engaging audiences in narratives shaped by marginal voices and social truth

    The Delhi edition of Jairangam Fringes concluded with two evenings of theatre that placed lived realities and marginal voices at the centre of the stage. Held on January 6 and 7 at Triveni Kala Sangram, the showcase drew theatre practitioners, students, cultural commentators, and audiences seeking work that extends beyond performance into dialogue.
    The 2026 Delhi programme featured two critically recognised productions, Naachni and Kashida Phool, both of which examined identity, power, and resilience through restrained yet emotionally charged storytelling. Supported by the Ministry of Culture, Government of India, the festival reaffirmed its role as a platform for artist led narratives that often remain outside mainstream cultural spaces.

    The opening evening presented Naachni, a solo Hindi performance written by Bhanu Bharti, directed by Madhur, and performed by Dr. Rakhi Joshi. Through a careful interplay of song, movement, and silence, the 70 minute production explored questions of gender, exploitation, artistic ownership, and survival. Minimal staging allowed the emotional weight of the narrative to take precedence, compelling audiences to confront uncomfortable intersections between art and power. Several attendees described the performance as unsettling yet necessary, noting how its themes lingered well after the performance concluded.
    On the second evening, Kashida Phool: Journeying with the Cross Dancers of Rajasthan unfolded as a quieter but equally affecting work. Performed by Chaina Meena and Rakesh Meena, and facilitated and directed by Shreeya Kishanpuriya, Kamakshi Saxena, and Supriya, the 45 minute Hindi production blended movement and storytelling to trace personal journeys shaped by courage, self expression, and choice. Drawing on the symbolism of kashida embroidery, the performance framed identity as something carefully stitched through experience, vulnerability, and resistance.

    Organisers noted that the audience response across both evenings reaffirmed the need for spaces that prioritise reflection and empathy over spectacle. They described the performances not only as artistic achievements but as social mirrors that invite audiences to listen, question, and engage with realities often overlooked.
    Cultural observers attending the showcase highlighted the strength of its curation. Critics remarked that the Delhi edition positioned theatre as a living social document, one capable of examining power, gender, and belonging with honesty and restraint. Despite their distinct narrative forms, Naachni and Kashida Phool were seen as deeply connected in their commitment to centring marginal identities without dilution or dramatics.

    Across both evenings, conversations extended beyond the stage, with audiences lingering in discussion long after the lights dimmed. For many, the intimacy of the venue and the clarity of the performances created a sense of personal connection rather than distant observation.
    With its Delhi conclusion, Jairangam Fringes continues to strengthen its presence as a national platform for independent theatre makers. By connecting regional narratives with urban audiences and fostering meaningful cultural exchange, the festival reinforces the idea that theatre remains a vital space for listening, witnessing, and shared reflection.
    At Prittle PrattleNews, featuring you virtuously, we celebrate the commitment and innovation. Led by Editor-in-Chief Smruti Bhalerao, our platform is dedicated to sharing impactful stories that inspire change and create awareness. Follow us on LinkedIn, Instagram, and YouTube for more stories that matter.

  • From short-form content to feature films, TMKOC’s animation strategy takes shape

    Neela Mediatech brings Taarak Mehta Ka Ooltah Chashmah to feature-length 3D animation as founder Asit Kumarr Modi and CEO Harjeet Chhabra outline the franchise’s next digital phase

    After building a sizeable digital footprint through short-form animation, rhymes, and mobile-first content, Neela Mediatech is extending the Taarak Mehta Ka Ooltah Chashmah universe into feature-length 3D animation. The move signals a shift from snackable digital formats to long-form storytelling designed for sustained viewing on open platforms.
    The company has announced the release of two feature-length animated films based on Taarak Mehta Ka Ooltah Chashmah, both scheduled to premiere on YouTube. The first title, Gokuldham to Galacto, is set to release on December 31, followed by The Big Fat Alien Wedding on January 26. Both films will be available in six Indian languages-Hindi, Bengali, Tamil, Telugu, Kannada, and Malayalam-allowing the franchise to address regional audiences beyond its traditional television base.

    This marks Neela Mediatech’s entry into feature-length 3D animation, building on the traction achieved by its animated rhymes and children’s content. The company has spent the last three years structuring TMKOC as a multi-format digital property, spanning gaming, gamified education, and short-form animation. The new films represent a deliberate step toward longer narrative formats that encourage repeat viewing and platform-led discovery.
    According to Asit Kumarr Modi, Founder of Neela Mediatech, animation offers a way to carry the core emotional intent of the original television show into a generation that increasingly consumes content on digital platforms. He noted that TMKOC was conceived as a family-oriented property rooted in community and everyday humour, and that animation allows those values to be preserved while adapting to changing viewing habits.

    While the films introduce new narrative settings, the storytelling remains anchored in familiar characters and relational dynamics. Each title functions as a standalone viewing experience while also contributing to a broader animation pipeline that the company is developing around the franchise.
    From an operational perspective, the decision to release the films on YouTube reflects a focus on scale and accessibility rather than platform exclusivity. Harjeet Chhabra, CEO of Neela Mediatech, said the company views digital platforms as enablers of steady, long-term growth rather than one-time release windows. He highlighted that animation provides creative flexibility to reinterpret characters, experiment with humour, and gradually expand the audience base across age groups.

    The move also aligns with broader shifts in how legacy television IPs are being repositioned for digital consumption. By investing in feature-length animation, Neela Mediatech is attempting to extend the life cycle of TMKOC beyond episodic television, creating content that can travel across languages, regions, and viewing contexts without reliance on broadcast schedules.
    With animation now positioned as a dedicated vertical alongside gaming and learning-led platforms, Neela Mediatech is continuing to structure TMKOC as an IP-driven digital business. The two films serve as an early indicator of how the company plans to balance familiarity with format evolution as it builds the next phase of the franchise’s digital presence.
    At Prittle Prattle News, we honor your dedication and inventiveness led by showcasing you in a positive light. Under the direction of Editor-in-Chief Smruti Bhalerao, our platform is committed to disseminating powerful narratives that raise awareness and motivate change. For more important stories, follow us on LinkedIn, Instagram, and YouTube.

  • Kindness becomes the centrepiece of Shemaroo Entertainment’s Christmas storytelling this year

    Chief Operating Officer Arghya Chakravarty and Chief Strategy and Marketing Officer Anuja Trivedi share how the Kindnessbadhayegoodness campaign reflects empathy, quiet choices, and the joy of shared moments

    Kindness takes centre stage this festive season as Shemaroo Entertainment unveiled its Christmas campaign titled Kindnessbadhayegoodness, choosing reflection over spectacle and restraint over noise. Released as the year draws to a close, the campaign presents a quiet reminder that small acts of care can create moments of meaning that travel far beyond the instant in which they occur.
    Set against the calm backdrop of a Goan village, the film unfolds through a simple yet emotionally resonant story centred on two siblings and a firefly. A young boy finally succeeds in catching the firefly he has been chasing, only to be gently guided by his sister toward a different understanding of care. Her reminder that kindness sometimes means letting go becomes the emotional pivot of the narrative, shaping what follows.

    This seemingly small decision sets in motion a moment of shared wonder that culminates in a Christmas miracle, not as a reward but as an experience rooted in empathy. The film avoids dramatic turns, instead allowing stillness and simplicity to convey how compassion can quietly transform an ordinary moment into something memorable.
    The campaign blends storytelling with innovation, reflecting Shemaroo Entertainment’s continued exploration of AI led creativity as a means to enhance visual narratives. Rather than drawing attention to technology itself, the film uses it subtly to support emotional realism and gentle magical elements, mirroring the spirit of Christmas where connection and generosity matter more than grandeur.

    Speaking about the campaign, Arghya Chakravarty, Chief Operating Officer of Shemaroo Entertainment Ltd., said that the intent was to explore kindness in its most understated form. He noted that the story focuses on a small decision and a moment of empathy, showing how acts offered without expectation often find their way back in unexpected forms. According to him, such moments quietly shape the world around us, even when their impact is not immediately visible.
    Adding to this perspective, Anuja Trivedi, Chief Strategy and Marketing Officer of Shemaroo Entertainment Ltd., shared that festive storytelling resonates most when it feels honest and unforced. She observed that while Christmas is often associated with giving, the emotion behind the act holds greater significance. The campaign, she said, focuses on a child’s choice to care, highlighting how even the smallest kindness can light up many lives and create a sense of shared warmth.

    The campaign aligns with Shemaroo Entertainment’s broader brand philosophy of India Khush Hua, reinforcing the belief that joy multiplies when it is shared. By choosing a softer narrative anchored in empathy, the film invites audiences to pause amid the celebrations and reflect on the quiet power of kindness.
    As the festive season unfolds, Kindnessbadhayegoodness serves as a reminder that joy does not always arrive with fanfare. Sometimes, a single small light is enough to illuminate everything around it.

    At Prittle PrattleNews, featuring you virtuously, we celebrate the commitment and innovation. Led by Editor-in-Chief Smruti Bhalerao, our platform is dedicated to sharing impactful stories that inspire change and create awareness. Follow us on LinkedIn, Instagram, and YouTube for more stories that matter.

  • Filmfare Shorts 2025 Shortlists CHOICE as The Visual House Earns People’s Choice Nomination 

    The Delhi based Creative Communication agency short film explores intimacy, autonomy, and unspoken conflict through performances by Anupriya Goenka and Karan Singh Grover.

    The short film CHOICE, produced by Delhi based Creative Communication agency, The Visual House, has been shortlisted for the People’s Choice Award at the Filmfare Shorts Awards 2025. The nomination places the film among a select group of works recognised for resonating strongly with audiences while engaging with contemporary social themes through cinematic storytelling.
    Written and directed by Deepmala, Founder and Chief Executive Officer of The Visual House, CHOICE explores the emotional terrain of modern relationships, focusing on personal agency, unspoken expectations, and the subtle pressures shaped by social norms. The film relies on restraint rather than spectacle, allowing silence, pauses, and minimal dialogue to carry much of its emotional weight.

    The narrative centres on a meeting between Meera and Kabir, portrayed by Anupriya Goenka and Karan Singh Grover. What begins as a seemingly straightforward visit unfolds into a layered exchange shaped by hesitation, guarded vulnerability, and quiet confrontation. The film avoids dramatic escalation, instead drawing viewers into the uneasy space where personal truth collides with internalised judgement.
    Anupriya Goenka’s portrayal of Meera is marked by composure and clarity, conveying resolve without overt declaration. Karan Singh Grover brings an introspective stillness to Kabir, allowing uncertainty and reflection to surface through expression rather than dialogue. Together, their performances create a dynamic built on what remains unsaid, lending the film a contemporary realism that feels intimate and grounded.

    CHOICE uses domestic space and measured pacing as narrative tools, gradually revealing how societal ideas around gender, autonomy, and desire influence even the most private conversations. The film resists moral conclusions, instead inviting viewers to sit with ambiguity and examine the grey areas that define many modern relationships.
    Reflecting on the nomination, Deepmala said the recognition holds particular significance because the film was conceived as a conversation starter rather than a definitive statement. She noted that being shortlisted for the People’s Choice Award affirms the collective effort of the cast and crew and reinforces the value of stories that engage audiences on an emotional and reflective level.

    For The Visual House, the Filmfare Shorts nomination represents more than an individual accolade. Known largely for structured and brand-led visual narratives, the studio’s selection signals a growing commitment to independent storytelling that prioritises cultural relevance and emotional honesty. CHOICE demonstrates the studio’s intent to extend its creative practice beyond commercial frameworks and into narrative cinema that challenges, questions, and connects.

    The film is currently available to view on Filmfare’s official platform, where audiences can engage with the work as part of the People’s Choice selection for Filmfare Shorts Awards 2025.
    At Prittle PrattleNews, featuring you virtuously, we celebrate the commitment and innovation. Led by Editor-in-Chief Smruti Bhalerao, our platform is dedicated to sharing impactful stories that inspire change and create awareness. Follow us on LinkedIn, Instagram, and YouTube for more stories that matter.

  • Leadership Change at Warner Music India Puts Ashok Parwani in Charge of South Indian Music Strategy 

    With decades of experience, Parwani will oversee growth initiatives across Tamil, Telugu, Kannada, and Malayalam markets in partnership with Divo.

    Warner Music India has appointed Ashok Parwani as Head of Music for South Indian markets, placing him in charge of the company’s strategy across Tamil, Telugu, Kannada, and Malayalam music ecosystems. The leadership change comes at a time when the company is strengthening its regional focus following its majority acquisition of South India based digital media and music company Divo.
    The appointment signals a renewed emphasis on regional catalogue expansion, artist development, and long-term partnerships across South India. Warner Music India and Divo are working together to deepen their presence in local markets while aligning regional talent with national and global distribution opportunities.

    Ashok Parwani brings over four decades of experience in the music industry, with professional stints spanning India, Sri Lanka, and the United Arab Emirates. He is widely recognised for his role in shaping the South India business of Sony Music India, where he spent close to two decades. During his tenure, he led several major catalogue acquisitions and built strong working relationships with producers, filmmakers, and artists across southern film and independent music industries.
    Divo has emerged as a significant player in South India’s music and digital ecosystem, offering services across music distribution, publishing, digital content creation, and influencer marketing. Warner Music India’s majority acquisition of Divo in 2023 reinforced its commitment to investing in regional cultures and strengthening locally rooted music businesses.

    Warner Music India currently manages a rapidly expanding music catalogue and has recently launched Loopd, an artist focused label aimed at supporting independent talent. The label operates with an artist first approach while leveraging Warner Music Group’s global network for wider reach and international exposure. The company has also extended its regional footprint through a collaborative initiative involving Sri Lanka based M Entertainments and Divo, creating additional cross border opportunities for regional artists.
    Commenting on the appointment, Jay Mehta, Managing Director, Warner Music India and SAARC, said that Ashok Parwani’s regional expertise and long standing industry relationships align closely with the company’s long term vision for South India. He noted that South India remains a key growth pillar for Warner Music India’s national strategy and that Parwani’s leadership will play an important role in building structured pathways for local artists to reach broader audiences.

    Shahir Muneer, Co Founder and Director at Divo, said that Parwani’s experience adds significant value to Warner Music India’s South India strategy. He added that the appointment will also strengthen Divo’s integration within the Warner Music network, supporting catalogue growth, deeper partnerships, and stronger commercial outcomes for artists across the region.
    Ashok Parwani said he was joining Warner Music India at a moment of strong momentum and opportunity. He highlighted South India’s creative depth and noted that the combined strengths of Warner Music India and Divo offer a platform to expand the reach of South Indian music across India and international markets. He added that his focus would be on building sustainable growth models and opening new pathways for regional artists.

    Parwani’s appointment represents a step toward deeper integration of Warner Music India’s regional strategy with Divo’s local capabilities. The move underscores the company’s intent to strengthen South Indian music ecosystems while connecting regional creativity with global distribution and industry infrastructure.
    At Prittle PrattleNews, featuring you virtuously, we celebrate the commitment and innovation. Led by Editor-in-Chief Smruti Bhalerao, our platform is dedicated to sharing impactful stories that inspire change and create awareness. Follow us on LinkedIn, Instagram, and YouTube for more stories that matter.

  • A Celebration of Gujarati Cinema Begins on ShemarooMe With Ten Films Offered Free From December 6 to 15

    Audiences can revisit standout performances by Yash Soni, Malhar Thakar, Janki Bodiwala, Aarohi Patel and Kinjal Rajpriya as ShemarooMe releases one Gujarati favourite free each day from December 6 to 15

    Gujarati cinema closes the year on a celebratory note as ShemarooMe introduces a ten day digital festival that opens access to some of the most admired stories, performances and productions of recent years. The platform has curated a set of ten films, each released free for a single day between December 6 and December 15, giving viewers across India an opportunity to experience a diverse slate of content without restrictions. This festival arrives at a time when Gujarati cinema continues to draw new audiences and establish itself as a key contributor to the country’s regional entertainment landscape.

    ShemarooMe positions this initiative as a tribute to the artists, filmmakers and audiences who have shaped modern Gujarati storytelling. The line up includes comedy, drama, romance, social commentary, supernatural themes and National Award winning work. Each title also marks a significant chapter in the careers of actors who have become familiar names within the industry. Performers such as Yash Soni, Malhar Thakar, Janki Bodiwala, Aarohi Patel and Kinjal Rajpriya feature across these films, representing the talent that has carried Gujarati cinema into a new era.

    The festival opens on December 6 with Jhamkudi, a film set within the spaces of a haunted haveli and built on the tension between folklore and the unknown. The next day features Bachubhai, a story centred on renewal and rediscovery in the later years of life. On December 8, viewers can watch Hellaro, the National Award winning film that explored the struggle for autonomy among women in rural Kutch. Its portrayal of liberation through collective spirit has made it a landmark in Gujarati cinema.
    Mithada Maheman streams on December 9, followed by Naadi Dosh on December 10. Both films examine relationships and the influence of deeply rooted beliefs on personal choices. Naadi Dosh in particular reflects how astrology continues to shape compatibility and family approval in many households. On December 11, Kutch Express presents a narrative of personal courage, where a woman journeys toward self reliance and independence against the backdrop of a changing social environment.

    December 12 brings All The Best Pandya, a film built on familiar Gujarati humour and family chaos. It moves between light hearted moments and a reflection on generational ties within a household. The following day features Vash, a supernatural thriller that holds its tension through a slow build of psychological unease. December 14 offers Umbarro, a story of seven women who find a sense of renewal and joy after confronting their own fears and internal barriers. The festival concludes on December 15 with Fakt Mahilao Maate, a comedy where an unexpected twist gives a man the ability to hear the thoughts of women, leading to both confusion and reflection.

    The selection reflects the range that Gujarati cinema has embraced in recent years. Comedy remains a strong draw, but emotional drama, social issues, female centric stories and supernatural elements have also taken firm shape. These films have travelled through theatres, festivals, social media and word of mouth to build loyal audiences across regions. The rise of platforms such as ShemarooMe has made it easier for this content to reach viewers beyond Gujarat, helping regional cinema enter national conversations.
    ShemarooMe notes that the idea behind the festival is to make high quality Gujarati films accessible while celebrating the cultural pride that surrounds them. Each title has gained recognition for its themes, characters or narrative approach, and together they demonstrate how Gujarati storytelling has evolved from its early stages into a more layered and expressive format. By offering these films free for one day each, the platform lowers access barriers for both dedicated viewers and new audiences who may be exploring Gujarati cinema for the first time.

    Gujarati cinema has seen a notable expansion in its audience base over the last decade. Films have increasingly addressed contemporary life, while retaining the humour, warmth and familial anchors that define the region’s creative style. Many actors now enjoy recognition across India through their work on streaming platforms and digital films. The presence of performers such as Yash Soni, Malhar Thakar, Janki Bodiwala, Aarohi Patel and Kinjal Rajpriya across this festival reflects the influence they have had in shaping public interest and the connection they hold with Gujarati speaking audiences.
    The festival is also an acknowledgement of the filmmakers whose craft has pushed the industry forward. Their contributions have brought attention to Gujarat’s landscapes, its social structures, its humour and its emotional depth. With new stories emerging each year and platforms such as ShemarooMe offering wider access, the industry now finds itself at a moment where regional cinema is valued within the broader Indian entertainment mix.

    Over the ten day period, ShemarooMe invites viewers to explore these films at their own pace, one day at a time. The format creates a daily ritual for cinema lovers and gives each film the space to hold attention without competing with the entire line up at once. It also mirrors the practice of traditional film festivals that encourage audiences to discover a curated collection over a fixed duration.
    This festival becomes a closing note to the year and a reminder of how regional cinema continues to rise in visibility and appreciation. For ShemarooMe, the initiative strengthens its ongoing relationship with Gujarati audiences while opening its library to a wider national viewership. For the industry, it is a moment to celebrate films that have generated conversation, sparked emotion and captured the cultural and social fabric of Gujarat.

    This editorial is produced for Prittle Prattle News, featuring you virtuously under the guidance of Smruti Bhalerao, and acknowledges the continued growth and resonance of Gujarati cinema across India.
    At Prittle Prattle News, we honor your dedication and inventiveness led by showcasing you in a positive light. Under the direction of Editor-in-Chief Smruti Bhalerao, our platform is committed to disseminating powerful narratives that raise awareness and motivate change. For more important stories, follow us on LinkedIn, Instagram, and YouTub

  • Red FM fuels the hype for Riders Music Festival 2026, teasing fresh artists, rare bikes and community-first experiences

    At the Delhi sundowner announcement, Red FM’s Nisha Narayanan joined artists like Mika Singh and Harsh Gujral alongside showcases of the Ducati Streetfighter V4, Panigale V2, Kawasaki KLX 450R, Honda X-ADV 750 and other standout machines, setting the tone for an expanded, high-energy Riders Music Festival 2026.

    The fourth edition of Riders Music Festival is officially on the calendar, with Red FM confirming the dates for 21 and 22 February 2026 at The Great India Place in Noida. After a successful revival last year, the festival now enters a larger, more ambitious chapter, bringing together music lovers, riding communities, creators and audiences who look to RMF as a unique blend of culture, mobility and live experiences.

    The announcement came at an exclusive sundowner in Noida, where guests were given an early sense of what the 2026 edition aims to deliver. The evening opened with the Delhi reveal of the new Streetfighter V4, followed by an impressive lineup of high-performance and vintage machines that immediately set the tone for the refreshed festival identity. The Ducati Panigale V2, Kawasaki KLX 450R, Honda X-ADV 750, the Kawasaki Z1100 and a collection of rare classic motorcycles drew considerable attention, creating a charged atmosphere that hinted at the metal and performance focus RMF audiences can expect next February.

    RMF 2026 will expand its footprint with larger activity zones, immersive tech installations, custom motorcycle exhibits, streetwear showcases, riding gear zones and a broader mix of pre-owned superbikes for enthusiasts. The festival will also deepen its community-led format, with more than fifty breakfast rides planned across major Indian cities leading up to the February weekend. An exclusive track day in partnership with Apex Racing Academy at the Buddh International Circuit will offer riders hands-on training and exposure to professional riding techniques, while dirt biking, FMX stunts and an international community ride to Chiang Mai will complete the extended pre-festival calendar.
    Red FM’s COO and Director, Nisha Narayanan, emphasised that RMF continues to evolve as a movement rather than a standalone event. She described the upcoming edition as a space where mobility, culture and creativity merge, strengthened by new experiences and a strong artist mix that will resonate with different sections of the audience. She added that the riding community has been central to the festival’s identity, and RMF 2026 will build on that energy with inclusive programming and a wider canvas for riders across skill levels.

    The music and comedy lineup reflects this curated fusion of voices, moods and genres. Mika Singh and Harsh Gujral are among the first names to be announced, with more artists expected to join the roster over the coming weeks. The festival’s curation blends hip-hop, stand-up, indie and high-energy performances, ensuring that RMF continues its tradition of delivering a mainstream yet distinctive cultural experience.

    With tickets now live on BookMyShow and additional updates set to roll out via Red FM’s digital platforms, the 2026 edition of Riders Music Festival is gearing up to be one of the most dynamic entries in its history, uniting riders, artists, creators and fans in a shared space built around freedom, expression and the open road.
    At Prittle Prattle News, we honor your dedication and inventiveness led by showcasing you in a positive light. Under the direction of Editor-in-Chief Smruti Bhalerao, our platform is committed to disseminating powerful narratives that raise awareness and motivate change. For more important stories, follow us on LinkedIn, Instagram, and YouTube.

  • Naseeruddin Shah, Anupam Kher, Ratna Pathak Shah and Lillete Dubey lead the first edition of the Hyderabad Theatre Festival at Shilpakala Vedika

    The three-day festival on 12, 13 and 14 December features Ismat Apa Ke Naam, Autobiography and Kuch Bhi Ho Sakta Hai at Shilpakala Vedika.

    The Hyderabad Theatre Festival opens its first season next month, bringing some of India’s most respected stage actors and landmark productions to the city. After five seasons of the Delhi Theatre Festival and a strong debut for the Bengaluru Theatre Festival last year, Alchemist Live now introduces the Hyderabad chapter, expanding its theatre format to another cultural centre.
    The festival will run on 12, 13 and 14 December at Shilpakala Vedika, presenting a curated lineup led by Naseeruddin Shah, Anupam Kher, Ratna Pathak Shah, Lillete Dubey and other noted performers. Audiences will have the chance to watch celebrated plays that have travelled across India, including works that hold a long legacy in contemporary theatre.

    American Express continues its association with Alchemist Live as the Title Sponsor for the Delhi, Bengaluru and Hyderabad Theatre Festivals. Card members receive a five-day presale window before public ticketing begins, along with ongoing benefits on selected seats. Constella by Speed Infra joins as the Associate Sponsor for this inaugural edition.
    Sharing his thoughts on the launch, Mr Prabhu Tony, CEO and Co-Founder of Alchemist Live, said the Hyderabad edition adds a new chapter to the organisation’s theatre journey. He noted that the city has always nurtured a strong relationship with art and performance and added that hosting performers such as Naseeruddin Shah, Anupam Kher, Ratna Pathak Shah and Lillete Dubey makes the festival a meaningful beginning for audiences in the region.

    Reflecting on the return of one of his most widely performed works, Naseeruddin Shah said that staging Ismat Apa Ke Naam continues to feel like revisiting a classic that remains relevant to every new audience. He expressed his interest in seeing how Hyderabad responds to the play during the first season of the festival.
    The festival builds on the momentum created by the Delhi and Bengaluru Theatre Festivals, which together have welcomed more than sixty thousand theatregoers across their seasons. With Hyderabad’s long cultural links, organisers expect the new edition to draw a similar response and help position the city as a consistent stop for major theatre productions.

    Anupam Kher, who will present Kuch Bhi Ho Sakta Hai on the closing day, said his recent performance at the Delhi Theatre Festival was among the most memorable of his career. He added that he looks forward to bringing the play to Hyderabad and connecting with an audience known for its interest in performance and storytelling.
    Ratna Pathak Shah called the festival a timely addition to Hyderabad’s cultural calendar and said the transition from Delhi and Bengaluru to a new city is a natural progression for a format that has grown steadily each year.

    HTF Season 1 features three productions across its three days.
    Ismat Apa Ke Naam, performed by Naseeruddin Shah, Ratna Pathak Shah and Heeba Shah, will open the festival on 12 and 13 December.
    Autobiography, starring Lillete Dubey, Denzil Smith and Suchitra Pillai, will hold its Hyderabad premiere on 13 December.
    Kuch Bhi Ho Sakta Hai, performed by Anupam Kher, will close the season on 14 December.

    Lillete Dubey shared that presenting Autobiography in Hyderabad for the first time is a meaningful way to begin the festival’s journey. She added that her earlier association with Alchemist Live in Delhi and Bengaluru has shown her the value they place on creating an artist-friendly space for theatre.
    Tickets for the Hyderabad Theatre Festival are now available exclusively on BookMyShow, with further updates, artist information and programme details accessible through the official festival handle HyderabadTheatreFestival.
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